In Tokyo—one of the world's largest megacities—a stray cat is wending her way through the back alleys. And, with each detour, she brushes up against the seemingly disparate lives of the city-dwellers, connecting them in unexpected ways. But the city is changing. As it does, it pushes her to the margins where she chances upon a series of apparent strangers—from a homeless man sq...(展开全部)

In Tokyo—one of the world's largest megacities—a stray cat is wending her way through the back alleys. And, with each detour, she brushes up against the seemingly disparate lives of the city-dwellers, connecting them in unexpected ways. But the city is changing. As it does, it pushes her to the margins where she chances upon a series of apparent strangers—from a homeless man sq...(展开全部)

Anatole is the happiest, most contented mouse in all of Paris. He is Vice-President in charge of Cheese Tasting at Duvall's cheese factory. He works in secret at night--the people at Duvall have no idea their mysterious taster is really a mouse! So M'sieu Duvall thinks nothing of bringing his pet cat to the factory... Clever Anatole must act to protect his job, and his life! ...(展开全部)

[美] 伊芙·泰特斯，美国著名童书作家，她创作的老鼠形象广为人知。阿纳托尔故事被改编成动画片，在“迪士尼频道”播放；巴兹尔则被改编成迪斯尼电影《妙妙探》。 ———— [美] 保罗·加尔顿，美国著名作家兼插画师。他和伊芙·泰特斯共同创作的《世界上最聪明的老鼠》《世界上最勇敢的老鼠》分别获得1957年凯迪克银奖和1958年凯迪克银奖。他对儿童文学的巨大贡献，在死后获得了1996年的科兰奖。

Anatole is the happiest, most contented mouse in all of Paris. He is Vice-President in charge of Cheese Tasting at Duvall's cheese factory. He works in secret at night--the people at Duvall have no idea their mysterious taster is really a mouse! So M'sieu Duvall thinks nothing of bringing his pet cat to the factory... Clever Anatole must act to protect his job, and his life! ...(展开全部)

..". less about film than about the psychology of the viewing experience." -- American FilmEmploying Freudian psychoanalysis, Christian Metz explores the nature of cinematic spectatorship and looks at the operations of meaning in the film text.

..". less about film than about the psychology of the viewing experience." -- American FilmEmploying Freudian psychoanalysis, Christian Metz explores the nature of cinematic spectatorship and looks at the operations of meaning in the film text.

The pioneer of "literary anthropology," Wolfgang Iser presents a wide-ranging and comprehensive exploration of this new field in an attempt to explain the human need for the "particular form of make-believe" known as literature. Ranging from the Renaissance pastoral to Coleridge to Sartre and Beckett, The Fictive and the Imaginary is a distinguished work of scholarship from one...(展开全部)

克里斯蒂安·麦茨，1931年生于法国，1953年获德国文学文学士，从1966年开始在法国高等社会科学院任教，1971年获语言学博士学位。罗兰·巴特的学生。在巴黎大学讲授过克拉考尔的电影理论。后来为巴黎三大影视研究所教授。麦茨是充满理想主义和理性主义的迄今为止最深刻的电影理论家。

克里斯蒂安·麦茨，1931年生于法国，1953年获德国文学文学士，从1966年开始在法国高等社会科学院任教，1971年获语言学博士学位。罗兰·巴特的学生。在巴黎大学讲授过克拉考尔的电影理论。后来为巴黎三大影视研究所教授。麦茨是充满理想主义和理性主义的迄今为止最深刻的电影理论家。